As you prepare for your first concert of the school year, Stanton’s Sheet Music suggests that you consider one of these outstanding selections for your women’s or men’s choir:
Ally Bally Bee arr. Douglas E. Wagner
A tender text, a sweet melody, and warm harmonies come together in this gentle lullaby for SSA choirs. The tessitura is well chosen, allowing your girls to sing in the sweet spot of their voices. Fun fact: long before it was considered a Scottish folk song, this beautiful tune originated as the street cry of a candy peddler.
Hold On! (Keep Your Hand on-a That Plow) arr. Ruth Elaine Schram
An absorbing accompaniment and attractive chord structure support the vocal lines in this dynamic and powerful arrangement of the spiritual. It is a terrific choice for use at your next performance as an opening or closing number.
In Every Soul by Mark Patterson
Like an overgrown garden, each soul has a place of beauty and joy to be discovered. This lovely work for treble voices offers that beauty through the simplicity of inspirational text and expressive music. Ideal for young voices from elementary through middle school.
Ku’u Pua I Paokalani arr. Henry Leck & Martin Ellis
In 1895, Queen Lili’uokalani lived under house arrest in her Iolani Palace for eight months. Not being allowed to communicate with anyone nor to receive visitors, the Queen was able to receive a bouquet of flowers brought to her each day. This song is a treasured favorite from the deep cultural heritage of Hawaii.
Land of Beyond by Rollo Dilworth
Evoking a spirit of adventure and exploration, this well-known poem by Robert Service is vividly set to music in a fresh and contemporary style. Young treble singers will be inspired to perform this festival work and encouraged to never lose sight of their goals!
Night Wind Whispers by Julie Ann Ballard
With a repeating and rhythmic piano accompaniment that reflects the emotional tumult of the poetry, the vocal lines soar and intertwine in an impressive flurry of sound, before suddenly coming to rest. An exciting work for high school women’s voices.
Shady Grove arr. Robert I. Hugh
Now available in an SSA voicing! American folksongs combine to create a fascinating collage of sound and color in this accessible setting. Accompanied by piano and optional conga and mandolin, the vocal lines are layered, sung imitatively, augmented and much more for an excellent pedagogical and sonic treat!
Aya Ngena arr. Ruth Morris Gray
This authentic Zulu folk song is a perfect fit for men’s choirs in three parts! The authentic African rhythmic groove is punctuated by brief solos and joyful handclaps. Add the optional percussion (bells, shaker and drums), and the overall effect will be most impressive!
The Battle of Kings Mountain by Vicki Tucker Courtney
The lyrics of this rhythmically interesting men’s song tell the story of a pivotal battle in the Southern campaign that took place in 1780 on Kings Mountain, near the border of North and South Carolina. Boys’ choirs will sound triumphant when singing the historic text, and the addition of the optional piccolo and snare drum will only add to a memorable performance.
A City Called Heaven arr. Victor C. Johnson
A soulful, reflective, and free-flowing opening leads into an easy jazz-waltz style in this marvelous arrangement. Jazz sonorities abound throughout the piece, and it is suitable for both school and church use.
Lil’ Liza Jane arr. Jimmy Baas & Randy James
This up-tempo folk tune setting is sure to excite singer and audience alike. The accessible arrangement by Baas and James was written to showcase the strength of the developing male voices. The lively piano accompaniment is supportive and sure to add musical interest to any performance. Appropriate for festival and concerts.
Men o’ the Sea arr. Gary E. Parks
Here’s a hearty and masculine feature just for the guys! This traditional whaling tune is an adventure in male bonding as the crew joins their voices to conquer the sea. A robust piano accompaniment mirrors the crashing of tempestuous waves. “Batten down boys, ready for the storm!”
Music’s Echo by Greg Gilpin
This a cappella best-seller is now available for TB voices! Using the optional percussion accompaniment creates a Renaissance sound and a madrigal effect. A simple melody starts of the work, then each part joins in with its own melody. Soon the polyphonic singing becomes gloriously forte, building to a strong ending that includes an optional descant.
For more suggestions, check out our video below, click here to view our complete School Choral promotion for Fall 2014, or contact us!