Irish Fiddle Music from Counties Cork and Kerry

The rural Sliabh Luachra region on the border of counties Cork and Kerry has a long history related to fiddle music.  Music students at University College Cork can even earn a diploma in Irish Traditional Music with a specialty in fiddle.

“Irish Fiddle Music”, written by Drew Beisswenger with Connie O’Connell, features a few dozen tunes most played by each of the three leading fiddlers of the Sliabh Luachra region: Connie O’Connell, Denis Murphy, and Padraig O’Keeffe. Polkas, slides, hornpipes, jigs and reels are well represented among the three fiddlers.  A CD included with this collection of fiddle tunes has 30 of these tunes played solo by Connie O’Connell.  Many of the tunes are played for Irish set dancing, which is very different from Irish step dancing. If you play for Irish set dancing, or enjoy playing the music for yourself, this collection is a treasure house of tunes!

For more information on this collection of fiddle sheet music or other fiddle collections, please contact us at 1-800-42-MUSIC or visit our website!

School of Mandolin: Bluegrass Soloing

This book teaches the intermediate mandolin player how to improvise the Bluegrass way.  Joe Carr teaches how to show off in style  using  melodic variations, scale soloing, arpeggios, and non-melody based soloing.  A CD is included that demonstrates these techniques and gives examples as applied to several Bluegrass standards.

If you play mandolin, and have been wanting to know how to spice up your playing, this is just what you need!  For other mandolin sheet music or Bluegrass music, please email us, visit our website or call us at 1-800-42-MUSIC.

We Remember: Earl Scruggs

(from The Associated Press)

NASHVILLE, Tenn. (AP) – Bluegrass legend and banjo pioneer Earl Scruggs, who helped profoundly change country music with Bill Monroe in the 1940s and later with guitarist Lester Flatt, has died. He was 88.

Scruggs’ son Gary said his father died of natural causes Wednesday morning at a Nashville, Tenn., hospital.

Earl Scruggs was an innovator who pioneered the modern banjo sound. His use of three fingers rather than the clawhammer style elevated the banjo from a part of the rhythm section – or a comedian’s prop – to a lead instrument.

His string-bending and lead runs became known worldwide as “the Scruggs picking style” and the versatility it allowed has helped popularize the banjo in almost every genre of music.
The debut of Bill Monroe and The Blue Grass Boys during a post-World War II performance on The Grand Ole Opry is thought of as the “big bang” moment for bluegrass and later 20th century country music. Later, Flatt and Scruggs t eamed as a bluegrass act after leaving Monroe from the late 1940s until breaking up in 1969 in a dispute over whether their music should experiment or stick to tradition. Flatt died in 1979.

They were best known for their 1949 recording “Foggy Mountain Breakdown,” played in the 1967 movie “Bonnie and Clyde,” and “The Ballad of Jed Clampett” from “The Beverly Hillbillies,” the popular TV series that debuted in 1962. Jerry Scoggins did the singing.

After the breakup, Scruggs used three of his sons in The Earl Scruggs Revue. The group played on bills with rock acts like Steppenwolf and James Taylor. Sometimes they played festivals before 40,000 people.

In a July 2010 interview, Scruggs said in the early days, “I played guitar as much as I did the banjo, but for everyday picking I’d go back to the banjo. It just fit what I wanted to hear better than what I could do with the guitar.”

Scruggs will always be remembered for his willingness to innovate. In “The Big Book of Bluegrass,” Scruggs discussed the breakup with Flatt and how his need to experiment drove a rift between them. Later in 1985, he and Flatt were inducted together in the Country Music Hall of Fame.

“It wasn’t a bad feeling toward each other as much as it was that I felt I was depriving myself of something,” Scruggs said. “By that, I mean that I love bluegrass music, and I still like to play it, but I do like to mix in some other music for my own personal satisfaction, because if I don’t, I can get a little bogged down and a little depressed.”

He said he enjoyed playing because “it calms me down. It makes me satisfied. Sometimes I just need to pick a few tunes.”

At an 80th birthday party for Scruggs in January 2004, country great Porter Wagoner said: “I always felt like Earl was to the five-string banjo what Babe Ruth was to baseball. He is the best there ever was, and the best there ever will be.”

In 2005, “Foggy Mountain Breakdown” was sel ected for the Library of Congress’ National Recording Registry of works of unusual merit. The following year, the 1972 Nitty Gritty Dirt Band record “Will the Circle Be Unbroken,” on which Scruggs was one of many famous guest performers, joined the list, too.

Scruggs had been fairly active in the 2000s, returning to a limited touring schedule after frail health in the 1990s. In 1996, Scruggs suffered a heart attack in the recovery room of a hospital shortly after hip-replacement surgery. He also was hospitalized late last year, but seemed in good health during a few appearances with his sons in 2010 and 2011.

In 2001 he released a CD, “Earl Scruggs and Friends,” his first album in a decade and an extension of The Earl Scruggs Revue. Over 12 songs, he collaborated with an impressive stable of admirers: Elton John, Dwight Yoakam, Travis Tritt, Sting, Melissa Etheridge, Vince Gill, John Fogerty, Don Henley, Johnny Cash and actor Steve Martin, a banjo player, were all featured.
Scruggs, born Jan. 6, 1924, in Flint Hill, N.C., learned to play banjo at age 4. He appeared at age 11 on a radio talent scout show. By age 15, he was playing in bluegrass bands.

“My music came up from the soil of North Carolina,” Scruggs said in 1996 when he was honored with a heritage award from his home state.

He and Flatt played together in Bill Monroe’s Blue Grass Boys, then left to form the Foggy Mountain Boys in 1948.

Their popularity grew, and they even became a focal point of the folk music revival on college campuses in the late 1950s and early 1960s. Scruggs’ wife, Louise, was their manager and was credited with cannily guiding their career as well as boosting interest in country music.
Later, as rock ‘n’ roll threatened country music’s popularity, Flatt and Scruggs became symbols of traditional country music.

In the 1982 interview, Scruggs said “Bonnie and Clyde” and “The Beverly Hillbillies” broadened the scope of bl uegrass and country music “more than anything I can put my finger on. Both were hits in so many countries.”

Scruggs also wrote an instructional book, “Earl Scruggs and the Five String Banjo.”
In 1992, Scruggs was among 13 recipients of a National Medal of Art.

“I never in my wildest dreams thought of rewards and presentations,” he said. “I appreciate those things, especially this one.”

Louise Scruggs, his wife of 57 years, died in 2006. He is survived by two songs, Gary and Randy. Gary Scruggs says funeral arrangements are incomplete.

Weird and Wonderful Instruments!

From time to time at Stanton’s, we get calls for method books to go with instruments we rarely see. One of these is a guitar, or concert, zither. We have a method book that Carl Fischer publishes for that instrument.

People have called about, and sometimes walked in with, a funny “hybrid” instrument called a “ukelin“. It is half bowed psaltery (violin), half plucked chords (ukulele), hence “ukelin”. This is a two-fisted instrument, played purely for fun. You bow with the right hand and pluck with the left-at the same time. For more on this strange beastie, check out the link.

Did you find a 4 stringed baby banjo in the closet or attic? We bet you have found a banjo ukulele. We have books for ukuleles of any stripe. One of the best books to learn ukulele is “Jumpin’ Jim’s Tips ‘n’ Tunes” by Jim Beloff. A chord chart is in the back of the book, and there are plenty of fun songs to learn, including the most serious ukulele rendition of “The Star Spangled Banner” we may have ever seen (or played). Contact us at by email or call 1-800-42-MUSIC. No matter what you bought at the flea market or found in the closet, give us a call and we will see whether we can get you a method book so you can play your newest acquisition.

BANG THE DRUM–Spring has come!!!

Are you as excited as we are to welcome the Spring today?! Even though we had a very mild winter here in Ohio, we’re still ready for consistently warm temperatures and bright sunshine streaming in the Stanton’s front windows! A great activity to keep your students engaged through the end of the school year would be to start a drum circle, or incorporate more percussion into your regular music classes. The following resources would be great for upper elementary, middle school and even beginning high school hand drummers:

Picante: Salsa Music Styles for the Classroom & Beyond
Experience authentic music styles of the Afro-Spanish-Caribbean by Puerto Rican-born author & bi-lingual educator, Alejandro Jimenez. Connect with educational philosophies and cultural backgrounds of the Spanish Caribbean to understand how they influenced the music of that area. Learn how song, dance, rhythmic instruments and drama all come together to help build confidence and promote personal expression.

Originally developed and used in urban, multi-cultural settings here in the United States, the works featured in Picante are for all general music classes. Students form their own Latin Music ensembles and explore the highly rhythmic beat of the plena from Puerto Rico, the regueton which is popular among urban Latino youth, the fast two-step beat of the merengue from the Dominican Republic, the bomba from Puerto Rican folk music, and the son from Cuban dance music. These different styles influenced what we now call Salsa music.

The kid-friendly ensembles have been written for Grades 5-9 and are presented from easy to more difficult. A variety of short, easily-learned ostinato rhythm patterns are played on Latin percussion and Orff instruments and added one at a time, followed by voice parts with the Spanish and English lyrics to create easily-sung harmonies in an instant!  A helpful teaching sequence, dance steps and objectives linked to the National Standards are provided for each song, and all ensemble parts are reproducible.

World Grooves: Elemental Rhythms From Around the Globe
Capture the spirit of calypso, zydeco, bossa nova, gospel, jigs, jazz and more with this unique collection of global rhythm styles by Tom Anderson. Each ensemble includes 3 to 4 rhythm parts for classroom percussion instruments, and one part is always the pulse, so even your youngest students can join in! There are also body percussion parts to help learn the rhythms before the instruments are distributed, and when there aren’t enough instruments to go around. Optional Orff instrument parts and piano are also included for additional layers of tone color!

The enclosed CD offers two recorded tracks for each groove: an instructional track and a play-along track without the percussion instruments for the flexibility of adding any number of performers. PDFs of all the parts are also included on the Enhanced CD.

All parts are 4 to 8 measures, and once they are secure, the parts can be layered in one-at-a-time, in different orders–you decide! Then add your new world groove accompaniments to different songs in these styles from your music library. Music grooves include: Calypso, South African, Hora, Gospel, Irish Jig, Zydeco, Rock and Roll, Bossa Nova, American Jazz, Irish Reel, and there is even an overall theme song called “The Beat of the World” for your students to experience. Let the spirit groove you! Suggested for grades 3-6.

World Music Songbook

This new release from Hal Leonard contains over one hundred folk songs from around the world.  If you teach general music, you will find that the “World Music Songbook” is a valuable resource. Some songs have the words in the original language, enhancing the world music experience.  The melody is in the right hand for the pianist, so it’s easy to lead the song if you are playing for a music class.  Whether you are a teacher, or simply love world music, this book of international sheet music will catch your attention!

Digitally Download Sheet Music

Do you ever need sheet music in a big hurry?  Check out Stanton’s Digital Delivery to browse our digital sheet music library. There are pop songs, Broadway songs, sacred songs, guitar tabs, and much more!

You’ll need to download a free Scorch program that allows you to see the first page of each song you look up, and it allows you to print on your own printer.  Many songs can also be transposed to whatever key you need! Just pay with a credit card, download and print.

This service is available 24 hours a day, 365 days a year.  Happy browsing!

Irish Tunes, Violin Play-Along Volume 20

Happy St. Patrick’s Day!  Huh? We musicians need to practice before we perform, so it’s time to start practicing. This collection, Irish Tunes, comes with a Sound-alike CD track for all eight fiddle tunes.  If you would rather not use the CD, a friend who plays guitar, mandolin, or even ukulele can play along with the chord names above the staff.  For more information about this collection, or other fiddle or Irish collections, please call us at 1-800-42-MUSIC, email us or visit our website.

Get a real, LIVE person on the phone!

We’re always talking about our knowledgeable staff—you’ll find that very phrase on much of our printed advertising, as well as on our website. Stanton’s sales staff is separated into departments to ensure that each staff member is well informed about a specific area of the wide variety of music that we carry. So when you call and ask about music for trumpet, you’ll be speaking with someone who has first-hand knowledge of repertoire, not just a phone operator with no musical experience. Here’s what you’ll find in each department:

CHORAL DEPARTMENT (ex. 1)
Church Choral Music
School Choral Music
Elementary Classroom Music
Classical Solo Vocal
Handbell

BAND DEPARTMENT (ex. 2)
Concert Band
Marching Band
Jazz Ensemble
Orchestra
Solos for all concert instruments
Instrumental Method Books
Music Software/Technology

POP/KEYBOARD (ex. 3)
Sacred & Secular Piano
Organ
Piano Method Books
Popular/Broadway Solo Vocal
Contemporary Christian Vocal
Guitar Solos and Methods
Music for Folk Instruments

BILLING AND ACCOUNTS (ex. 4)

You can direct emails to the exact department you need by clicking the links above, or press the appropriate extension when you call 1-800-42-MUSIC (1-800-426-8742). If you’re unsure of which department to choose, we’re always happy to direct you to whoever can best address your needs; press “0″ to have your call directed, or send a general email. At Stanton’s, it is important to us that you receive the most educated answers to your questions and the finest music recommendations.

Stanton’s “21-Day Trial” Program

Did you know that you can preview music from Stanton’s before you decide to buy? We know that it’s difficult to tell if a particular piece of music will fit your needs without actually reading it through, so similar to checking things out from a library, you can “borrow” resources from our store using the “21 Day Trial” program!

Each of Stanton’s departments has slightly different guidelines about what/how many items can be sent on “21 Day Trial,” but in general we can send printed sheet music that is currently in stock. You can request items for trial by phone, email, fax, online or in person—any of the ways that you can place a regular order—but make sure that you specify “21 Day Trial.” You can list the music you’d like to peruse, or you can give us some specifications (like “Christmas piano solos,” “SSA choral music on the theme of friendship,” or “new publications for 8th grade jazz band”) and Stanton’s knowledgeable staff will find some suggestions for you!

We require account or credit card information so that if you choose to keep the music we can charge you accordingly, or return the music within 21 days of your invoice date and you’ll never be charged! (You’ll just have to pay return shipping to get the music back to us.)

As you return from Winter break and begin programming the rest of your school or church year, remember that Stanton’s Sheet Music is here to help!