NY or Bust!
Stanton’s is packing up and heading to Rochester for the NYSSMA Conference December 3rd-6th—look for us in the exhibition hall if you’re going to be there too! We’ll be bringing lots of sheet music of all kinds for you to browse and purchase, as well as several of our helpful and educated staff members to answer whatever questions you may have.
If you’re already a Stanton’s customer, stop by and say hello so that we can put faces with names. Or, if you’ve never shopped with us, please come by our booth and allow us to give you the full “Stanton’s experience!”
For more information about all of our planned traveling this winter, check our previous blog.
Online Resources for Public Domain Materials
Are you aware that there are a number of online libraries for sheet music in the public domain? While not an authoritative resource, these sites can be very useful for research, educational exercises and, in some cases, even performance.
The Choral Public Domain Library (CPDL) is a large archive of free choral music. Anyone may contribute, so selections range from early music to the unpublished work of current composers.
International Music Score Library Project (IMSLP) is a WIKI site offering scanned-in public domain scores which can be browsed by composer, time period or instrument.
Werner Icking Music Archive (WIMA) contains an EXTENSIVE list of links to other online public domain libraries.
Thumb pressure relief for clarinetists and oboists.
So a customer came in the store one day in early September and wanted to talk to us about a product that he had invented. This happens quite often here at Stanton’s and we try to listen and determine if it’s something that we think is significant enough to endorse and add to our product line. This particular customer was an oboist and he had mentioned that Bill Baker, who was the former oboe professor at Ohio State and a good friend of Stanton’s, thought this was an fantastic device. This gentleman had a new invention called the OCGenie for helping clarinetists and oboists relieve the stress that leads to sore thumbs. These musicians support the weight of their instruments on their thumbs, and if they play long gigs or practice for hours at a time, they often have to quit because of the tremendous pain that their thumb knuckles have to endure. Makes total sense, right? Well this musician/inventor came up with a new neck strap device that actually adjusts itself by using the weight of the instrument to take the pressure off of your thumb knuckle joint. Normally we don’t carry musical instrument accessories, but we felt that this might be something that we should look into for our customers who are doing a lot of playing. It attaches to your instrument using a thumbrest ring that attaches to your original thumbrest. The neckstrap itself winds back into its case when it’s not attached to an instrument–similar to a self-retracting dog leash that can be adjusted for different lengths. There is also a soprano sax version as well. A Stanton’s employee was actually using one even before we had heard of it and she absolutely loves it. This might be just what the doctor ordered, BEFORE you have to see him for tendonitis in your thumb!
Spend Your In-Service Day at Stanton’s!
As schools come to the end of their first grading period of the year, many districts have in-service work days for teachers. Why not spend your in-service day here at Stanton’s? Check with your administrators, then gather all the music teachers from your district and come on in!
Now is a particularly great time to be planning your winter and holiday concert programs. We have all our picks for seasonal concerts on display, and we’re happy to help you find exactly what you’re looking for, or offer you some suggestions.
So give us a call (1-800-42-MUSIC) and let us know when you’re coming! If you have any special requests (musical research, repertoire choices and suggestions, etc.), please let us know as far in advance as possible, and we will do our best to accommodate you.
For Ohio music educators, we invite you to join us on Friday, October 16, 2009 for COTA (Central Ohio Teachers’ Association) Day. Stanton’s will be providing free coffee and doughnuts for you on that day, and free promotional items will also be available. See you soon!
POP goes the sheet music!
Stanton’s receives many calls and emails that begin with “I’ve got a great piece of music here that’s pretty old…” and, sadly, that conversation often ends with “I’m sorry to tell you that piece is permanently out of print.” What does that mean for you, the director/musician when something is permanently out of print (POP)? Read on to find some of the most common questions and their answers:
1) Why do things go POP?
When we inform someone that a certain piece is POP, the most common response we receive is “I can’t believe it—that piece is so good!” While it is true that sometimes a piece is taken out of print due to lack of sales, this is not the only reason. Sometimes there are copyright changes, royalty disputes and other business issues that have nothing to do with sales. Even if a piece is taken out of print due to low sales, that’s not necessarily an indicator of quality. A piece that is “good” may also be very difficult, or extremely contemporary or use an unusual voicing/instrumentation, all of which could lead to low sales despite how “good” it is.
2) Why does Stanton’s show POP titles on their website?
When Stanton’s determines that a piece is no longer in print, we indicate that on our website so that you, the customer, can also have that information. If you were looking for a certain piece and simply didn’t see it listed, you may just conclude that it’s not available from Stanton’s, or that you had typed something incorrectly.
Sometimes a piece that is permanently out of print is not yet listed that way on our website. While we make every effort to keep the information on our website up-to-date, we usually don’t learn that a piece has gone POP until we try to order it and the publisher says “sorry, no.” Please call us if you have questions about the status of a particular piece.
3) How do I determine that something is POP?
As stated above, we encourage you to contact Stanton’s whenever you have questions about a piece of music. If you are interested in doing some research yourself, you can check the website of the publisher to see if they have more information. If the music is from a publisher that is no longer in business, their copyrights, or “imprints,” are probably still owned by another publisher; the same arrangement may still be in print from the “new” owner of that imprint. You can find more details about defunct publishers on the Music Publishers Association’s directory of imprints.
4) Do I have any options for obtaining this music?
Once you have determined that something is POP, you may contact the publisher to request permission to photocopy (Stanton’s can give you their contact information) if you have at least one original copy. Especially in the case of churches and schools, the publishers will often grant this request for little or no cost. The publisher will then send you a letter stating that you have permission to make copies. If you do not have an original copy, you might acquire a copy from someone else’s library by sending out a query on the ChoralNet listserv, or a similar forum. IT IS ILLEGAL TO MAKE PHOTOCOPIES WITHOUT THE PUBLISHER’S PERMISSION, EVEN WHEN SOMETHING IS NO LONGER IN PRINT!
5) This music is still in print, so why is it so hard for me to get it?!
In addition to “in print” and “out of print,” there are a few other ways to designate the status of a piece of music. It may be “temporarily out of print” (TOP) or “on backorder” (OBO), which means that the publisher is sold out of the music in their warehouse and will need to print some more. It also may be designated as “print on demand” (POD) or an “archive edition,” meaning that it is not something that the publisher keeps in stock, but they will print special copies on request. A piece of music might be a “special import” that is not kept in stock in the US, but that a publisher can get from their international partners. ALL of these situations may affect how long it will take to get your music and how much it will cost.
6) Is there any chance that it WILL come back into print?
No. There may be other arrangements of the same composition available, but once something goes POP, it will not come back.
Permanent means permanent.
Honor Our Veterans with Music
This November, help your community honor those who have served and protected our country by featuring your choir at your local Veteran’s Day events.
I Dream a World by Andre J. Thomas sets an introspective and contemplative text by African-American poet Langston Hughes – “I dream a world where man No other man will scorn, Where love will bless the earth and peace its paths adorn.” A beautifully emotional poetic thought and equally moving music, now available in a new SSA voicing.
From the musical Chess, Anthem is a stirring tribute honoring the country we love. Beautifully expressing the idea that no matter how far and wide one travels, our country is always a part of us, it closes with the moving sentiment “My land’s only borders lie around my heart.”
Both of the above selections have instrumental accompaniment parts available, so you can join forces with your school orchestra, local community band or other instrumental ensemble; contact us for more information. For those wishing to highlight a solo instrumentalist, Joseph M. Martin’s Song for the Unsung Hero features a powerful trumpet descant on the last verse. Incorporating “America (My Country ‘Tis of Thee),” this emotive choral is a moving tribute to those who dedicate their lives to preserving our freedom and keeping our country safe.
For more patriotic suggests for your Veteran’s Day commemorations, call us at 1-800-426-8742 or visit us online.
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Now that
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