“Al Shlosha D’varim” for SATB

“The world is sustained by three things: by truth, by justice, and by peace.”

These wise words have probably been sung millions of times over in Al Shlosha D’varim, a long-time standard in 2-part choral repertoire.  With the recent publication of a brand-new SATB voicing, mixed choirs can now experience this masterpiece.  Using the universal language of music, Al Shlosha D’varim conveys an important and universal theme through its beautiful simplicity.  Appropriate for a many performance occasions, it could be particularly effective on a winter/holiday concert – and it’s straight-forward enough to be learned quickly!  Click here to hear a sample recording of the wonderful new voicing, or contact us for more information.

Eric Whitacre’s Virtual Choir

Want to be a part of something new and exciting?  Composer Eric Whitacre is in the process of compiling his second Virtual Choir on YouTube.  Begun as an experiment on Eric’s blog in May, the final product (a massed “virtual choir” performance of Sleep) was posted to YouTube in July.  Singers from around the world recorded themselves performing their individual part of the work and posted it, and Eric compiled all the individual recordings into an amazingly musical mass performance!

Now the internet community is preparing the perform Lux Aurumque.  The deadline to submit YOUR performance is December 1st, 2009.  Eric has posted a conductor track with some performance suggestions and tips on his blog. 

Don’t miss out on your opportunity to be a part of this amazing undertaking, and please let us know if you decide to participate!  To quote Eric, “Our goal this time is to take the whole thing to the next level and try to create a truly musical experience, a graceful and delicate performance full of passion and life and light.  Share your voices and your souls with the world!”

It’s the Holiday Season…

…And it’s coming upon us a bit faster than some of us are ready for! Do any of you elementary music teachers need some good ideas for some holiday songs?  Relax–we have some great solutions for you.  One of the best holiday collections we’ve seen is “Around the World at Christmas Time.” This collection has songs from Germany to Mexico and Scandinavia to Israel. The songs in this book can be performed individually or all together as a choral revue. This is a good way for your students to learn a bit about how the holidays are celebrated in other countries as well as here in the good old USA.
Another great collection that has  more upbeat and fun tunes is “All Aboard the Holiday Express”. This collection contains secular holiday tunes and a couple of Hannukah songs as well. Other holiday collections you may want to check out are “Happy Holidays“, “Songs for Christmas” and “Silly Songs & Sing-Alongs for Christmas.”  All of these collections have accompaniment CDs available.
For more information or questions please call us at 1-800-42-music, email or visit our website.

Italian Songs & Arias for Choir

The vocal collection 24 Italian Songs and Arias of the 17th & 18th Centuries has been a staple in the voice teacher’s library for many, many years, and generations of solo singers will recognize the familiar yellow book.  Expose your young choral singers to the depth of musical beauty in these classic pieces with one of these arrangements:

Danza Danza has been carefully arranged for 2-part treble choir by Audrey Snyder.  Both parts are expressive and fun to sing, making this rhythmical waltz ideal for concert, contest or festival performances.

The buoyant Gia il sole dal Gange will be enjoyed by treble choirs of all ages.  Evoking the imagery of a rollicking brook, it’s a great piece for working on vocal flexibility and agility with your group.

Earlene Rentz’s arrangement of Caro mio ben is perfect for younger SSA choirs.  Art song phrases inspire expressive “bel canto” singing, and the limited voice ranges are just right for developing singers.  Also available for 3-part mixed voices.

For SAB groups, try Christopher Matthews’ set of three Italian songs, Nel cor piu non mi sento, Alma del core, and Nina.  Thoughtful ranges and supportive piano accompaniments make this set a good fit for junior high or young high school ensembles.

Singing these songs with your choir is a great opportunity to introduce young musicians to art song literature and the wonderful marriage of music and text contained therein.  For more concert suggestions for your choir, please contact us.

Online Resources for Public Domain Materials

Are you aware that there are a number of online libraries for sheet music in the public domain? While not an authoritative resource, these sites can be very useful for research, educational exercises and, in some cases, even performance.

The Choral Public Domain Library (CPDL) is a large archive of free choral music. Anyone may contribute, so selections range from early music to the unpublished work of current composers.

International Music Score Library Project (IMSLP) is a WIKI site offering scanned-in public domain scores which can be browsed by composer, time period or instrument.

Werner Icking Music Archive (WIMA) contains an EXTENSIVE list of links to other online public domain libraries.

Paul Manz – 1919-2009

Beloved composer, organist and church musician Dr. Paul Manz passed away in St. Paul, Minnesota on Wednesday evening, October 28.  He was 90 years old.  He died surrounded by his family while they sang his famous motet, “E’en So, Lord Jesus, Quickly Come.”

Manz long served the church as recitalist, composer, teacher and leader in worship.  He was Cantor Emeritus at the Evangelical Lutheran Church of Saint Luke, Chicago, Illinois; as well as Cantor Emeritus of Mount Olivet Lutheran Church in Minneapolis, Minnesota.  He was the director of the newly established Paul Manz Institute of Church Music, and was Professor Emeritus of Church Music at Christ Seminary Seminex at the Lutheran School of Theology at Chicago.

As a performer, Manz was most famous for his celebrated hymn festivals.  Instead of playing traditional organ recitals, Manz would generally lead a “festival” of hymns from the organ, in which he introduced each hymn with one of his famously creative organ improvisations based on the hymn tune in question.  The congregation would then sing the hymn with his accompaniment.  Sometimes he would play an improvisation between each sung stanza, as with his well-known variations on the tune, ST. ANNE, sung to the Isaac Watts text “Oh God, Our Help in Ages Past” with which he would traditionally end each festival.  Many volumes of these improvisations have been written out and published and are played by church organists throughout the world.

Click here for Manz’s full obituary, and here for a beautiful recording of his choral motet, “E’en So, Lord Jesus, Quickly Come.”

Feedback Friday: Kiddie “fright night”

In The Navy Now!

The Stanton’s staff would like to wish one of our own, Tom Smiley, the best of luck with his new adventure in life–and “adventure” seems to be the opperative word seeing that he is heading to the Navy’s basic training camp in Bethesda, Maryland.  Tom has been with Stanton’s since his early college days, working in our “Pop” department on Saturdays and putting in any extra time that he could between classes during the week.  Tom earned his bachelor’s degree from the Ohio State University in the Spring of 2007 and took his first teaching job as a high school band director with the Columbus City Schools.  This past summer, Tom came back to work for Stanton’s in a temporary position until his Naval enrollment was finalized and he knew when he was to be ”shipped out” to basic training.  Tom will be enlisting as an officer and specialize in ships’ weapon deployment systems.  We wish Tom the best of luck in the next four years and hope that he stays safe in his travels around the world.

How-to: Musical Rentals and Performance Permission

Stanton’s Sheet Music receives many inquiries from customers who “just got put in charge of the school musical” and want to know where to start. Although MANY choral/band directors and drama teachers are also expected to direct musicals, it seems that most college courses skip right over this topic. One of your first steps will be to decide upon the musical you’d like to stage. While Stanton’s does sell Broadway vocal collections, choral/band arrangements and other musical theater products including most Broadway Junior productions, we CANNOT contract the licensing rights that give you legal permission to perform the work—for that you must contact the appropriate licensing company. Some of the largest licensing companies are:

Musical Theater International
Since its founding in 1952, MTI has been supplying musical materials to theatres worldwide, whether it is the newest hit from the Broadway or London stage, or a timeless classic. MTI has been a driving force in cultivating new work and in extending the production life of the great American musicals such as Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Damn Yankees, The Music Man, Godspell, Little Shop Of Horrors, and the musical theatre collection of Stephen Sondheim, among others.

Rogers and Hammerstein Organization
Founded by Richard Rodgers and Oscar Hammerstein II more than 60 years ago, the R&H Organization represents a wide variety of entertainment copyrights and over 200 writers. In addition to Rodger & Hammerstein classics like The Sound of Music, Oklahoma!, The King and I, and South Pacific, they also offer a range of popular musicals including Annie Get Your Gun, The Light in the Piazza, Babes in Arms, and Joseph and the Amazing Technicolor Dreamcoat.

Tams-Witmark Music Library, Inc
Tams-Witmark licensed the first high school production of a Broadway musical approximately 75 years ago. Today, thousands of schools and community theatres are presenting Tams-Witmark musicals each year, including A Chorus Line, Anything Goes, Bye Bye Birdie, The Wizard of Oz, You’re a Good Man Charlie Brown, Oliver, Hello Dolly, My Fair Lady, Cabaret, Crazy for You, Forty-Second Street, Camelot, Kiss Me Kate, Gypsy and Brigadoon.

Samuel French
With offices in New York City, London, Hollywood and Studio City, California, Samuel French has been representing playwrights since 1830. They began hosting the Samuel French Off Off Broadway Play Festival in 1975 which has resulted in the publishing of 181 new plays since. Some of their most popular offerings are: Anne of Green Gables, The Best Little Whorehouse in Texas, Chicago, Clue: The Musical,  Grease,  Kiss of the Spider Woman, The Mikado, Nunsense, Peter Pan, The Rocky Horror Show, and The Secret Garden.

All of these reputable companies offer script preview programs (similar to Stanton’s 21-Day Trial) and helpful websites to guide you through musical licensing procedures. Several variables determine how much money the performance rights will cost, and the only way to get a quote is to begin a dialogue with a licensing company. Stanton’s advises you to begin this process as far in advance as possible so that you have plenty of time to research and choose the best show for your particular situation.

Now all you have to do is cast the show, run rehearsals, build sets, sew/rent costumes, book a pit, and print programs. Simple, right?

On the Road: New York, Michigan, Ohio and Kentucky!

Stanton’s Sheet Music is coming to YOU! Stanton’s will be on the road this winter attending several conventions outside the state of Ohio.

Our first stop will be in Rochester, New York, December 3-5th for the NYSSMA Convention. We are extremely excited about going back to this show for the 5th time! We are eager to see some of our favorite customers and, of course, meet new educators who we’ll be able to help. We are bringing a full selection of sheet music for Solo & Ensemble, Choral, Elementary Music, Concert Band, Jazz and Orchestra, along with some of the newest publications for music educators and college music majors. You shouldn’t have trouble finding us–we’ll be under the big blue Stanton’s balloon flying in the exhibition hall. If you are already familiar with Stanton’s, or have been reading our blog regularly, you may have learned that the Stanton’s staff loves traditions. We can’t visit Rochester without having our traditional night out at the Dinosaur—a well-known restaurant with a reputation for excellent barbecue. The Dinosaur’s bar-like interior will be crowded with everyone from musicians/educators from the convention to urban professionals and leathered bikers—all mingling in waiting for a table. It’s always worth the wait because the food is fantastic and the portions are huge. We’re hoping that all of our NYSSMA crew—new and returning—will love the Dinosaur and have a great time in Rochester!

After hosting our annual January Church Choral Reading Session on Saturday, January 9th, the next stop on the winter tour will be our inaugural trip to Grand Rapids for the Michigan Music Conference, January 21st-23rd. We are thrilled to finally be adding Michigan to our roster; we have talked about attending this convention ever since this event moved from a college campus to a convention center. We have been so pleased to be of help to music educators in the state of Michigan, and we look forward to seeing those customers face-to-face. Once again, we’ll be bringing a wide variety of music publications and resources for music educators and college majors. Since this convention is a new experience for the Stanton’s crew this year, we are open to suggestions as to what to do and where to eat. We’re sure that the Amway Grand Plaza Hotel has a nice restaurant or two, but are there other fun and exciting places to dine out in the downtown Grand Rapids area?

We are keeping our fingers crossed hoping for good traveling weather. We know the trip back from Rochester can be a little nerve racking with all of the lake effect snow hitting us on route 90 (we’ve “white-knuckled” our way back home at 2:30 in the morning more than once), but we are also hoping for good weather going to and from Grand Rapids with the snow off Lake Michigan in January. Wish us luck!

Of course, Stanton’s busy schedule doesn’t stop there. After we attend the Michigan Music Conference, Stanton’s travels to Cincinnati the very next week for OMEA, then on to Louisville, Kentucky for the KMEA convention the week after that. That’s three in a row—back to back to back! Then we still have a few small February run-outs to the Morehead Band Clinic and the ACDA Central Division Conference in Cincinnati before we can settle back into our normal routine. Keeping busy on the road is not only a fun way for the staff to get out and meet new people, but also makes the dark, chilly months seem to speed by more quickly. Come out and see us sometime this winter, and if you’d like Stanton’s to come to YOUR state convention next year, let us hear about it!